Calender

Process and Notes from Hanson

Process for Completion and Notes From Hanson


1. Order your sequences
-SCRIPTING (1-2 people orders each section)
-what pieces are similar?
-create a "bin" with extra comments included
-make it cohesive

2. Re-arrange the sequences based on the whole content
-keep the big picture in mind
-learn to let go of unnecessary details and walk away with the most important factors

3. Listen to it with closed eyes
-make final touches to the overall piece and polish
-critique for further review and show it to Hanson

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Content = Skeleton and MAIN POINT Key Notes: -Tighter is better (balance length with the amount of information being said, don't worry about length) -don't feel trapped, go get the footage if you need it! -work on ordering sequences while still gathering footage to save time -discuss the state of editing by specific dates and DEADLINES (they are included in the calendars)
-Communicate and work together as a team, one person shouldn't be doing all the work and one person shouldn't be doing nothing as well

Monday, February 21, 2011

GOALS FOR 2/22/2011

TOMORROW'S CLASS GOALS:

Digitize Film
Refresher on Camera
Research people to be interviewed:
*Jack Schmidt
*Brian Kennedy
*Jeff Mach
Call Toledo Library for archival photos
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Chris: Call Toledo Library
Nathan: Digitize Film, Research and type up info. on Brian Kennedy
Jarrhette: Research and type up info. on Jack Schmidt and his studio (messenger studio?),
look up locations/set up days w/ locations
Michelle: Research and type up info. on Jeff Mach, look up locations/set up days w/ locations


P.S. WE ALSO NEED TO RESERVE A CAMERA AND TRIPOD FOR THURSDAY'S CLASS TO SHOOT THE 280 BRIDGE!!!

3 comments:

  1. hey guys here is a brief outline of Jack Schmidt

    ill continue to look for more info



    Jack Schmidt

    Born: Toledo, OH 1945

    Education: MS Illinois State Univ. , Normal, IL 1973
    BS Bowling Green State Univ. , BG, OH 1968


    Awards: National Endowment for the Arts Individual Fellowship Grant
    Individual Artist Grant, Ohio Arts Council

    (could ask…Why Glass?)


    -Assisted one of Littleton’s first generation of glass students, Fritz Dreisbach
    (could ask him about this?)

    -Assisted Joel Myers in Normal, IL (could ask about this?)

    -Appointed secretary of G.A.S. in 1974, has been active member ever since.

    -Could ask about his one man galleries (Habitat Galleries, US; Edgewood Orchard Galleries, Door Country.)


    -Was in the acting department as the head guy in a couple different instances.
    (can he really act? Who your favorite?)



    -Group Exhibits
    Millennium Glass: An International Survey of Studio Glass, Montgomery Museum of Fine Arts, Montgomery, AL, to Masters of Contemporary Glass, The Naples Philharmonic and Museum in Florida. The Smithsonian, Corning Museum of Glass, Detroit Institute of Art, Toledo Museum of Art, and other public and private collections possess his works, which typically are sculptural fabrications of glass, metal, and/or stone.

    -COLLECTIONS (selected):
Alpina Power and Electric Company, Alpina, MI
Bellrive Museum, Zurich, Switzerland
Bowling Green State University, Bowling Green, OH
Chubu Institute of Technology, Nagoya, Japan
Corning Museum of Glass, Corning, NY
Detroit Institute of Art, Detroit, MI
General Electric Company, Milwaukee, WI
Illinois State University, Normal, IL
Leigh Yawkey Woodson Art Museum, Milwaukee, WI
Rochester Institute of Technology, Rochester, NY
Shaw Walker Company, Muskegon, MI
Toledo Federation of Art, Toledo, OH
National Museum of American Art, Washington, DC
    -Schmidt/Messenger Studio
    340 Morris Street Toledo, OH
    #?

    ReplyDelete
  2. Could whoever watched that DVD that has his interview (Jarhette?) Please review it and see what they asked him?

    ReplyDelete
  3. i reviewed it and will bring the notes to class

    ReplyDelete